“Isolation is aloneness that feels forced upon you, like a
punishment. Solitude is aloneness you
choose and embrace. I think great things
can come out of solitude, out of going to a place where all is quiet except the
beating of your heart.” Jeanne Marie
Laskas
I write this on the first day of Governor Cooper’s stay-in-place
order. It’s really not much different than
my previous days. I’ve been self-isolating since the end of January when I got
sick. I was beginning to re-connect to the world when COVID-19 arrived. I didn’t
want to get sick again, so I continued limiting my contact with others.
As I said, today is not much different, except:
Now I’m forced to self-isolate by law: If I violate Cooper’s
order, I could end up in jail for 60 days and be $1,000 poorer.
It’s not legal consequences that tweak my sense of self, but
that choice is now taken from me. Jason Rezaian says, of course, it’s okay to
feel angry—he was in 2014 while held in solitary confinement for eighteen
months in Iran. He remarked that anger just doesn’t accomplish anything. Okay.
So, instead I think about the word “Isolate.” Lexico.com
defines it as: "Cause (a person or place) to be or remain alone or apart
from others.” “Isolate” was first used in the early 1800’s and taken from the
word “isolated”: “Far away from other places, buildings, or people; remote”
etymonline.com reports “isolated” is from the French isolĂ©, which
came through the Italian isolato, which came from late Latin insulatus ‘made
into an island’, and from Latin “insula ‘island’”.
A relatively young English word then, and doesn’t have the
rich history of ‘gather’ which has wandered through Germanic languages,
possibly stemming from Proto-Indo-European roots. It’s appropriate, isn’t it, that “isolate”
travels were lonelier than ‘gather” travels?
I find that comforting.
As I do, also, in the other meanings of ‘isolate’ (“Identify
(something) and examine or deal with it separately.”) and ‘isolated’ (“Single;
exceptional”)
Isn’t that what we strive to do as writers—identify
something, look at it closely, separate out its parts, and then put it back together
in a singular, exceptional way that entertains and maybe provokes?
Rezaian says other things that relate to us as writers now,
and really, at all times: use this time of enforced solitude to get to know
ourselves better, to embrace the voice inside our heads and use it “as an advantage”,
and probably most importantly, to trust ourselves.
If I may add, trust also our process in creating our work, our
poetry and prose.
You can find Rezaian talking about his experience as it
relates to this era of COVID-19 and read a summary of his remarks here.
Carol Phillips
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