She
Knows the Names of Shells
Now
that she lives on Sanibel Island,
my
sister teaches me the shells.
Along
the tideline, she picks up one,
a
kitten’s paw—
shows
me its ribs like toe bones.
Calico
scallop, baby’s ear, pear whelk.
She
bends for broken
bits
too, keeps them for their color
and
pattern, the pocked and sea-battered
slipped
into pant pockets.
What
makes us hold on to beauty,
the
pink swirls and green veins? Collections
lined
on a tray like Eileen’s
—one
perfect sample of each.
The
rest, she glues to painted canvas—
coral,
nine-armed starfish, seagrape leaves
brushed
with pearlized white, as if still lit
by the
lamp of sun.
I try
hard not to bring shells home.
I don’t
need even one more
memory
in a Haviland bowl.
Eileen
and I know how to hold
this
time even when we’re a state apart.
Heads
lowered in “the Sanibel stoop,”
we
walk, reminding ourselves
to look
up. At cloud swirls, the vein of horizon.
Terns
and the rare skimmers lift before us,
follow
the south-curving shore.
We turn
north,
scan
the slanted lines of sea grass
for our
path home, where beach becomes
dune
becomes land.
First appeared
in Valparaiso
Review, Spring 2018
Finalist, 2019
Lascaux Prize in Poetry
Lovely poem, Karen
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